Variations on relationships in a New Year Day atmosphere set in a huge and rundown 1980s style hotel awaiting demolition by Lake Balaton, Hungary. Three women and five men in various ways.

Five months after the maternal death of his partner, a man is at a crossroads with how to raise their baby.

Alone in a secluded mansion, Giacomo Casanova cries out then collapses. When the mysterious and beautiful writer, Elisa von der Recke, comes to visit, it breathes new life into the old man. A movie that captures the myth of the greatest seducer of all times, Casanova, his story is told both through fiction and on-stage opera performances that unravel the tale of his adventures, his passions, and ultimately his fear of death.

This is a rough, fragmented drama about a couple whose 13-year-old son committed suicide without an apparent reason. The film portrays the day after the funeral and the helpless, abandoned mourning of the parents.

A condensation of a handful of sunsets with various visual moods. Red and blue as opposites that still find a way to cohere. Concrete silhouettes over an ever-changing, expanding canvas. Every movement is collective, molecular. With an invisible horizon, a chance presents itself to meditate on the “speed” of water and the sea and also for a more fluid kind of editing.

A relationship is put to the test after the girlfriend is sexually assaulted and the boyfriend drives her from hospital to hospital in search of a rape kit.